Light and it's properties.

What was more interesting to me was when I used a popular 3d imaging
program to simulate and experiment with different color lights and objects.
It was then that I figured out that certain light colors had opposite or "polar opposites" that cancel out or neutralize those certain colors. I tried to
duplicate the effect in reality with light bulbs and LED lights, but with almost
disappointing results. I quickly figured out that in order to cancel out any
one specific color, you need to be in more control of both the INTENSITY
and tint or HUE. Thats not easy with bulbs and LED's without filters.

Surgeons and nurses know that when you are seeing the color red, like
blood, for instance, that if you happen to glance up, or look away from
the red, you see blue-green spots! So, some intellligent person figured
out how to get around that. Just make anything you look at, like the
walls in the room and also uniforms, the same color as the spots when
you look away from the red. Then the spots are not visable. The polar
opposite color of red (or crimson) happens to be a certain shade of
blue-green. A different country in the world just decided to make their
uniforms red, so that their eyes, or more appropriately, their brain did
not have to compensate for a lack of seeing red, because the uniforms
or other colors were already red. I learned through experimentation
why color works like that.

All colors that I have experimented with work like that. There are some
things that I have not mentioned though. I know the brain tries to
compensate by making us see the opposite color when we look away.
Have you ever watched a three-dimensional movie in the red/blue or
blue/red anaglyph method? I have because I have made several small
test videos in that format and I have a very small "library" of those
movies on VHS. If you wear the glasses (red-blue or blue-red) for
just a minute or two and then take them of, your brain (probably the
visual cortex) causes you to see polar-opposite colors for just a few
seconds. I mentioned that I used to make short movies using the
anaglyph format. :) I have done a lot of experimenting. This is just how
light and the properties of light work.

So, the part I have left out is that when you have not used the glasses
and don't stress your visual cortex, that certain shade of red LIGHT
and specific shade (polar opposite) which is a BLUE-GREEN, when
combined to the same point cancel each other out and appear GRAY.

My interest did not stop there. I tried other colors. Purple and yellow,
because a photography class taught me that purple neutralizes yellow.
I was puzzled, because I found that to be incorrect. Yellow and purple
did not cancel each other out. Many years later, another photography
student I was working with, but at a restaraunt ( yes we are a diverse
group) said that he was taught the same thing in school. The problem
was, in my experiments (I decided to do it many times to make sure)
proved to me that a certain shade of purple was only nuetralized (it
turned medium gray) by adding a certain shade of GREEN to it.

Here's what used to make me shout and start laughing. MOST of the
people who I tell that RED and GREEN make YELLOW, tell me
that I am crazy, because they remember mixing PAINT as a child.
I tell them that if the then add BLUE, it becomes WHITE. They laugh
at me hysterically, but I just try to remind them that without red green
and blue, you wouldn't get a bright white on your television screen
or computer monitor. They just laugh....I tell them that they need to
take a magnifying glass and look at the pixel and see that are really
only three colors on the screen and they say, "Whatever, Dave..."

It is not as easy as I thought to teach people the way color and other
vibrational energy frequencies react or are perceived.

Perhaps, I will add some images here soon. Until then, a lot of people
need to do some experimenting, and stop laughing at people who do
and really understand what they are talking about. The world will be
a more peacefull place for us all to live in, where we are limited
in what we actually see. Our vision sees only a speck of what is there.